Honouring five women gardening writers…

I am always behind when it comes to ‘Days’- like International Women’s Day.   So, here I am, several days late.  But I enjoyed seeing what ‘Ali, The Mindful Gardener’ and my gardening writer friend, Sarah Salway, had to say on Facebook, and thought ‘Why not list my five favourite women garden writers and books?’.  All my book links are to Abebooks.co.uk- on the grounds that homes are needed for more used and secondhand books.

Margery Fish book

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Margery Fish photo credit: http://www.eastlambrook.com

Margery Fish :  ‘We made a Garden’ first published in 1956, the re-published by Faber and Faber in 1983

This book is a complete joy.  It describes Margery’s decision to create a garden at East Lambrook  in Somerset in 1937, and her endless tussles with her husband, Walter, who had very different views on what a garden should look like, there are so many wonderful moments as when she reveals that

‘When it came to the job of making paths I discovered that this was a subject on which Walter had very strong views, and I had many lectures on how to achieve perfection’ ¹

Her gently ascerbic tone is a delight of under-statement, and she never shirks from talking about her mistakes and her learning, whilst retaining a good dose of laughter about how she, and Walter, make it through the arguments and lectures.  Along the way, there are invaluable lessons for any maker of gardens- and her garden remains a much loved and inspirational space which I would love to visit.  This is the book I have most often bought for women friends who love gardening.

¹ quoted p.25 of ‘We made a Garden’, Margery Fish, ISBN 0-572-13141-7

 

Sarah Raven

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Sarah Raven photo credit: http://www.westsussexlife.co.uk

Sarah Raven: ‘The Bold and Beautiful Garden’, published by Frances Lincoln, 1999

I bought this book not long after we had moved to France, and, although my garden, as I was to learn, could not host many of the luscious plants that Sarah describes in her book, I was absolutely set on fire by her use of colour and mixtures of colour- as well as her boundless enthusiasm for the plants that she is writing about.  Jonathon Buckley’s photographs are almost edible they are so good, fresh and exciting.  Christopher Lloyd’s foreword sums up her approach and, of course, she has learnt so much from him I think.

‘Go for it, lash out and express yourself with the help of vivid dramatis personnae sums up her vitalizing message’  Christopher Lloyd. ¹

¹ quoted in the foreword by Christopher Lloyd, of ‘The Bold and Beautiful Garden’, Sarah Raven, ISBN 0-7112-1752-1

A shout-out also for her beautiful compilation and authored book on Vita Sackville-West and Sissinghurst, ‘Vita Sackville-West and the creation of a garden’, which I really enjoyed after visiting Sissinghurst for the first time this year.

 

Holt book

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Geraldene Holt photo credit: http://www.geraldeneholt.com

Geraldene Holt:  ‘Diary of French Herb Garden’, published by Pavilion Books, 2002

I love this little book.  It is a modest and utterly engaging book about Geraldene Holt, the well-known cookery writer, and her restoration of an ancient walled garden in the tiny village of Saint-Montan, in the French Ardèche.  It was the book that inspired me the most in developing village contacts here when we moved, and over the years, gradually finding a role, which I would never have imagined, as the co-ordinator of a group of committed gardening people, who are gradually softening the edges of our village with sustainable planting- and having a lot of fun as well.  Her own garden lives on, now run by a local Association, much like ours I imagine, and is definitely somewhere I want to visit.

She says, at the end of her book’

‘That I am not the proprietor of this French herb garden matters not a jot.  Indeed, this aspect has enhanced my joy.  Working here has not been solely self-gratifying, it has also been a shared pleasure, carried out for others with a result that, I hope, will survive for some time.’ ¹

¹ quoted p. 123, ‘Diary of a French Herb Garden’, Geraldene Holt, ISBN  1-86205-488-6

I know what she means.

 

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Beth Chatto photo credit: http://www.gardenmuseum.org.uk

Beth Chatto’s Gravel Garden, published by Frances Lincoln, 2000

Beth Chatto is such a hero- quietly determined, delicate and yet robust, and so much a real pioneer entirely on her own terms.  Her book ‘Beth Chatto’s Gravel Garden’ was like a Bible to me when I first realised that I couldn’t imagine Tostat as being a slightly hotter Surrey, where I had my very first garden in my early 30s.  Turning her carpark into a dry garden, as she did, with no irrigation at all, was a vital experiment for the time.  She has a love for the unorthodox, which broke new ground then, seahollies, prickly thistles, felted plants and wild Verbascum.  She is, above all, a calm observer of the garden that she is creating- and now, after nearly 15 years, I am almost able to do that too in my own garden.

‘ It is good sometimes, perhaps in low evening light, to take my stool and settle in an unexpected part of the garden, to sit and contemplate a piece of planting that I normally pass or drive by. ¹

¹ quoted p.88, ‘Beth Chatto’s Gravel Garden’, Beth Chatto, ISBN 0-7112-1425-5

 

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Nora Harlow, editor, EBMUD, ‘Plants and Landscapes for Summer-Dry Climates’, published 2004 by EBMUD, East Bay Municipal Utility District

Nora Harlow has done a great job at pulling together the strengths and a shared philosophy behind this big book, which is really designed to encourage residents of the East Bay Area, in San Francisco, to abandon water-hungry garden spaces and embrace a different aesthetic.  The book reads easily, pithily and the message pulls no punches.  What’s more, the philosophy is incredibly helped by the sensitive and compelling photography of Saxon Holt.  Two thirds of the book is a compendium of plants, trees and shrubs that actually welcome summer-dry gardening by having growth patterns outside of the hot, dry period, and many of them are entirely dormant during the summer.  So, shifting the aesthetic needs to be as much about embracing winter-autumn-spring as the main seasons of interest, and learning to love the dried-out looks and shapes of the summer.  What a bold move for a Utility Company.  How’s this for inspiration?

‘ It is possible to create and maintain ornamental landscapes in ways that conserve water and energy, protect air and water quality, minimise impacts on landfills, provide habitat for wildlife, reduce fire hazard, and help to preserve natural wildlands…

The least any of us can do is to be mindful of our individual and collective impacts on natural resources-clean air, clean water, energy, open space and biotic diversity- and to accept personal responsibility for our actions.’ ¹

¹ page xv, the preface, ‘Plants and Landscapes for Summer-dry Climates’, ed. Nora Harlow, EBMUD 2004  ISBN  0-9753231-0-5

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Once a lavoir, on the way to becoming a place to stop and relax…

About 2 years before we came to France, Andy’s Mum gave me an enchanting book, which really inspired me to want to find ways in which gardening and design can support the development of public spaces for enjoyment. This slim little book, ‘Diary of a French Herb Garden’ by the well known cookery writer, Geraldene Holt, told the story of her restoration of an ancient potager once used by the local priest of the little village of Saint Montan in the Ariege.  The small plot was about to be taken as parking space when she asked the local Conseil if they would allow her to restore it into a public aromatic garden, staying true to the memory of priests supporting the community as the apothecary. They did, she did, and the garden remains to this day as a public space.

And as time turns around and comes around, I have been asked to think about how a village public space can be transformed into an engaging and easy to care for public space, offering time to stop and think.  This tiny little plot, by an ancient ruisseau or agricultural canal, lies just beneath a very small bridge over the ruisseau, and is bounded by walls and hedges.  But, when you step down into the plot, only 9m x 8m at its widest, it does feel as if you have stepped down into the past. The small road vanishes from view, and the rushing water, and the presence of an old upended washing stone, reminds you of how hard a woman’s life was before domestic machinery.

The lavoir from the small bridge with the upended scrubbing stone visible April 15
The lavoir from the small bridge with the upended scrubbing stone visible April 15

The telegraph pole is a bit in your face to start with, but, being wood, it begins to merge into the background.  The shopping bag is mine, with my measuring tapes and whatnot in it.

The view back to the lavoir from the other side of the bridge April 15
The view back to the lavoir from the other side of the bridge April 15

You can also see that an old kneeling stone survives so that the women would have been able to stay clean-ish themselves when bending down to do the washing.

Ancient lavoir with women doing the washing Photo credit; www.fontaine-fourches.com/
Ancient lavoir with women doing the washing
Photo credit;
http://www.fontaine-fourches.com/

So, how to make this into an enchanting space? I thought I should begin with attracting attention from the road with flowering planting that will last all year, and then also keeping the palate simple with good perennial cover that will take care of itself, and colours staying within the cream-yellow-blue range, with a flash or two of pink. I have drawn a quick isonometric sketch just to give an idea…

Lavoir isonometric Apr 15

Coming from the little road, you step onto big and small paving stones towards 2 angled slate benches underneath a pergola, shaped a bit like an open book. It will need to be a strong pergola that will support the full weight of the earliest rose, Rosa banksiae lutea, which will shower down onto the pergola in April-May. This rose will be followed by the white passionflower, Passiflora caerulea ‘Constance Elliott, which will flower till the frosts. Should be a showstopper.

This is the cream version of the rose I am planning. Rosa banksiae alba plena. Just imagine this...only creamy yellow. April 2013
This is the cream version of the rose I am planning. Rosa banksiae alba plena. Just imagine this…only creamy yellow. April 2013

Rosa banksiae is tough as old boots and thornless, all good things in a public space. Another rose, Rosa Jacqueline du Pre, will be nearby flowering white and cream later from summer into autumn, bright blue Louisiana irises will cluster at the water’s edge from June till August, and Saponaria officinalis Rosea Plena, the double form of the soapwort which was often planted near lavoirs in ancient times, will provide a good splash of pink.  Earlier in the year, Helleborus orientalis will robustly flower, leaving great foliage all year and a Daphne odora ‘Aureomarginata, which we will have to wait a bit for, will scent the scene from January till March. Acanthus mollis will also fill in gaps with good greenery all year and pinkish flowers in early summer.

Let’s hope that people like the sound of it, and we all start saving plants to make it happen. With one or two purchases along the way.