Ruminations on ‘Light, shade, water and earth’…

Kiftsgate Court, The Water Garden, Gloucestershire, June 2017, and reflected detail below…

Water and earth. I started this theme before Christmas, ah well, so now to pick up on the ‘water and earth’ part.

My remaining ruminations…these feature images that have stuck in my mind and still catch my eye, some many years later. Kiftsgate Court Gardens may be overshadowed by the celebrity powerhouse garden which is a close neighbour, Hidcote. But in my view, it beats Hidcote to the ground with sheer heart and exuberance, and what’s more, it is the work of three incredible generations of women gardeners, and I would revisit in a heartbeat. ‘Kiftsgate Court Gardens: Three Generations of Women Gardeners’ by Vanessa Berridge celebrates the details of their accomplishments, it’s on my next present ideas list, that’s for sure.

This stunning water garden with bronze leaves floating in the wind is a miraculous re-using of an old tennis court and holds its own with the older parts of the garden really well.

Bryan’s Ground, near Presteigne, is one of my all-time favourites, full of excitement, fun and clever design. I love the long, thin, still water capturing the reflection of the noble hound sculpture and the fluffy green of the surrounding trees. Very simple but really effective. To my horror, I saw that Bryan’s Ground was up for sale in 2021 during lockdown. I really hope it survives and prospers.

Bryan’s Ground, Presteigne, June 2017

On a giant scale, the Yorkshire Sculpture Park, Bretton Hall, near Wakefield, uses an immense landscape of rolling grass, water and formal gardens with real verve. I am pretty sure that this sculpture will have been changed since I took the photograph in June 2019, but the image has stuck in my head.

Tom Lovelace sculpture in the Upper Lake, Yorkshire Sculpture Park, June 2019

The pristine still water against a blue sky, surrounded by the earthen ochre walls of Taroudant in Morocco is the work of La Maison Anglaise eco-lodge. Specially chosen tiles protect the quality of the water and the planting is xeric, but irrigated from waste grey water refined naturally in a tank beneath a fountain in the front courtyard, so no new water is used for the garden. The long, thin shape of the pool is an echo of the traditional courtyard pool in Mudecar design- a nineteenth century version of which can be seen in the gardens of Carmen de los Martires in Granada.

La Maison Anglaise, Taroudant, Morocco, October 2021
Carmen de los Martires, Granada, October 2021

I think that these are my favourite-ever water spouts, part of the QVC garden at Chelsea Flower Show in 2009 and designed by Adam Frost. I love the rolled shape, like a flowerbud opening, and I remember that the sound of the water could be heard clearly over the buzz of the crowds, a good, but not too loud, splashing.

Beautiful water spouts, the QVC Garden at Chelsea 2009 designed by Adam Frost, May 2009

I really got into earth, as in, mostly nothing but earth, in Australia. I would never have imagined that I could love such arid spaces, but the colours of the earth and the rocks were mesmerising at different times of the day, and it was a landscape that really got under my skin. Lost traces of human habitation, places where no human had lived, maybe for thousands of years, and, in the Australian spring, the sight of tens of golden flowering wattles in the middle of nothing, was intensely moving somehow.

Remains of a walled garden, Apppealina, Flinders Ranges, Australia, October 2018
Sunset at Rawnsley Park Station, Flinders Ranges, Australia, October 2018
Ground cover grasses, Brachina, Australia, October 2018
Flowering wattles en masse, Flinders Ranges, Australia, October 2018

By complete contrast, the Water Gardens at Beth Chatto’s Nursery in East Anglia, were more squelchy than even my wellies could handle when I visited with a friend, Shelagh, in May 2012. Look at the prehistoric upward growth of the Gunnera and the Skunk Cabbage….

Yellow skunk cabbage, Beth Chatto Nursery, May 2012

Kiftsgate Court Gardens…a delightful tapestry

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The White Sunk Garden, Kiftsgate Court, June 2017

It was a blazing hot afternoon when we visited Kiftsgate Court Garden, almost across the road from Hidcote.  So hot that an ambulance was called for one elderly visitor, and the tea room was full of hot, exhausted people.  The sun was so brilliant that it was almost impossible to photograph some areas of the garden!

Kiftsgate really plays a very different tune to Hidcote.  it is an almost phantasmagorical mixture of planting, sumptuous colours, not a spot of earth to be seen as the planting is so luxuriant, and roses that seem to be taking speed they are so large.  The exuberance of it comes as almost a visual shock after the care and restraint of Hidcote.  And Kiftsgate chances its arm with some wilder areas and two contemporary areas, for which it is to be commended.  A garden is nothing if not a growing, changing environment, and whilst historical preservation is needed at times, fossilisation is not the best course. Many of the roses date back to the original plantings made by Heather Muir when she started to create the garden in the ’20s- some of the pink roses were a delightful antique pink, quite different from the more sugary pinks that have been commonplace in rose development.

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Beautiful unknown rose with giant blooms, and a lovely violet tinge, Kiftsgate Court Garden, June 2017

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Rosa Himalyan Musk almost finished, Kiftsgate Court, June 2017

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Another unusual ruffled Rose, but unknown, Kiftsgate Court, June 2017

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Rosa Mundi, Kiftsgate, June 2017

Of course, there is the famous original Kiftsgate rose, splaying itself magnificently down a long Rose Border and lunging into any trees it can latch onto.  At 20 metres high and about 25 metres wide, this giant display hints at why I have to be so vigilant to reign it in in my garden!  Heather Muir bought this rose in the 1930s from the famous nurseryman, E.A. Bunyard as a Moschata, but Graham Stuart Thomas identified it as an exceptionally vigorous form of Rosa filipes in the late ’40s and the rose was then named after Kiftsgate Court.

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Rosa ‘Kiftsgate’, Tostat, May 2017

The Yellow Border is a gorgeous blast of colour, using blue and orange to counterpoint the yellow.  Rosa ‘Graham Thomas’ was a repeating theme, spiked by fabulous deep azure delphiniums in the bright sunshine.

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Rosa ‘Graham Thomas’ and those stunning delphiniums, Kiftsgate Court, June 2017 photo credit: Colin Massey

The New Water Garden was added by the grand-daughter of Heather Muir, Anne Chambers and her husband in the late 90s.  Making use of an ex-tennis court, they created a cool, modern dark pool, encircled by the existing mature yew hedge, and the sculptor Simon Allison designed a simple, but magical sculpture of copper philodendron leaves, which drips water atmospherically every few minutes. It was an especially powerful experience to sit quietly listening to the music of the water gently falling in the hot sunshine.

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The New Water Garden, Kiftsgate, June 2017

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The New water Garden, detail, Kiftsgate Court, June 2017 photo credit: Colin Massey

One of the surprises of Kiftsgate’s location is realising that you are at height above the Vale of Evesham as you descend the terraced hillside towards the Lower Garden. Heather Muir terraced the hillside with the help of Italian gardeners in the 30s, building her little summerhouse to her own design, and her daughter, Dianny Binny, created the semi-circular swimming pool, which adds such dramatic interest to the Lower Garden. The Lower Garden comes to an abrupt finish looking across a view which creates a tremendous false perspective as the ha-ha leads the eye to believe that you are at height. But when you look over the ha-ha, you can see that you are only about a metre above the ground.  Brilliant landscaping.

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The ha-ha, false perspective and semi-circular swimming pool at the edge of the Lower Garden, Kiftsgate Court, June 2017

I think that there is only one false note in the whole glorious thing.  And that is the newest ingredient in the Garden, the Mound.  A young, but will-be-magnificent avenue of tulip trees leads to an impressive, elegant sculpture by Pete Moorhouse, using a leaf design and Islamic lettering to create a filigree effect.  Lovely.  But not lovely was the Mound itself, with a lumpy chevron pattern in coloured gravel and four potted olive trees.  A bit like an aircraft landing site to my mind.

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The Mound..mmm…Kiftsgate Court, June 2017

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Detail of the Pete Moorhouse sculpture, Kiftsgate Court, June 2017 photo credit: Colin Massey

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View through the Orchard, Kiftsgate Court, June 2017

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The Wild Garden, Kiftsgate Court, June 2017

But, stay with the mood of the sculpture, and follow the path into the wild Garden and the Orchard, two more newer additions, and very peaceful and restful indeed.  I loved Kiftsgate with a real warmth, not least because it is a garden made by three generations of women, but also because it has been made with such warmth and abundance, and care.  And you can feel that in the mood and the spirit of the place.