Ruminations on ‘Light, shade, water and earth’…

Kiftsgate Court, The Water Garden, Gloucestershire, June 2017, and reflected detail below…

Water and earth. I started this theme before Christmas, ah well, so now to pick up on the ‘water and earth’ part.

My remaining ruminations…these feature images that have stuck in my mind and still catch my eye, some many years later. Kiftsgate Court Gardens may be overshadowed by the celebrity powerhouse garden which is a close neighbour, Hidcote. But in my view, it beats Hidcote to the ground with sheer heart and exuberance, and what’s more, it is the work of three incredible generations of women gardeners, and I would revisit in a heartbeat. ‘Kiftsgate Court Gardens: Three Generations of Women Gardeners’ by Vanessa Berridge celebrates the details of their accomplishments, it’s on my next present ideas list, that’s for sure.

This stunning water garden with bronze leaves floating in the wind is a miraculous re-using of an old tennis court and holds its own with the older parts of the garden really well.

Bryan’s Ground, near Presteigne, is one of my all-time favourites, full of excitement, fun and clever design. I love the long, thin, still water capturing the reflection of the noble hound sculpture and the fluffy green of the surrounding trees. Very simple but really effective. To my horror, I saw that Bryan’s Ground was up for sale in 2021 during lockdown. I really hope it survives and prospers.

Bryan’s Ground, Presteigne, June 2017

On a giant scale, the Yorkshire Sculpture Park, Bretton Hall, near Wakefield, uses an immense landscape of rolling grass, water and formal gardens with real verve. I am pretty sure that this sculpture will have been changed since I took the photograph in June 2019, but the image has stuck in my head.

Tom Lovelace sculpture in the Upper Lake, Yorkshire Sculpture Park, June 2019

The pristine still water against a blue sky, surrounded by the earthen ochre walls of Taroudant in Morocco is the work of La Maison Anglaise eco-lodge. Specially chosen tiles protect the quality of the water and the planting is xeric, but irrigated from waste grey water refined naturally in a tank beneath a fountain in the front courtyard, so no new water is used for the garden. The long, thin shape of the pool is an echo of the traditional courtyard pool in Mudecar design- a nineteenth century version of which can be seen in the gardens of Carmen de los Martires in Granada.

La Maison Anglaise, Taroudant, Morocco, October 2021
Carmen de los Martires, Granada, October 2021

I think that these are my favourite-ever water spouts, part of the QVC garden at Chelsea Flower Show in 2009 and designed by Adam Frost. I love the rolled shape, like a flowerbud opening, and I remember that the sound of the water could be heard clearly over the buzz of the crowds, a good, but not too loud, splashing.

Beautiful water spouts, the QVC Garden at Chelsea 2009 designed by Adam Frost, May 2009

I really got into earth, as in, mostly nothing but earth, in Australia. I would never have imagined that I could love such arid spaces, but the colours of the earth and the rocks were mesmerising at different times of the day, and it was a landscape that really got under my skin. Lost traces of human habitation, places where no human had lived, maybe for thousands of years, and, in the Australian spring, the sight of tens of golden flowering wattles in the middle of nothing, was intensely moving somehow.

Remains of a walled garden, Apppealina, Flinders Ranges, Australia, October 2018
Sunset at Rawnsley Park Station, Flinders Ranges, Australia, October 2018
Ground cover grasses, Brachina, Australia, October 2018
Flowering wattles en masse, Flinders Ranges, Australia, October 2018

By complete contrast, the Water Gardens at Beth Chatto’s Nursery in East Anglia, were more squelchy than even my wellies could handle when I visited with a friend, Shelagh, in May 2012. Look at the prehistoric upward growth of the Gunnera and the Skunk Cabbage….

Yellow skunk cabbage, Beth Chatto Nursery, May 2012

Foxglove mania…

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Foxgloves, Tostat, May 2017

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Apricot pink foxgloves, Tostat, April 2015

A slightly hazy photo of the foxgloves that turned up in abundance this Spring.  It was a really good year for them, despite the dryness here they found the moist spots in a couple of places in the garden, and were statuesque for almost a month- a great bang for no bucks.  I don’t try to regulate their appearances, they just put themselves where they want to be, and most of them are the regular Digitalis purpurea, with just a dash of the exotic from some apricot foxglove seed-grown plants that I planted out.  But, in England in June, I was introduced to some more unusual varieties, which I really loved.

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Digitalis lutea, Kentchurch Court, Herefordshire, June 2017

Digitalis lutea is a very elegant thing.  About half the size of your average foxglove, so maybe less likely to be toppled in the wind, it has slim, cream-coloured trumpets more like a Penstemon flower, and it worked beautifully in this border planting partnered with the white astrantia and orange hemerocallis. A very classy thing, without being showy.

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Digitalis lanata, Thruxton Rectory, Herefordshire, June 2017

Taking cream to a clotted and Devonian level, Digitalis lanata was another foxglove new to me in a plantsman’s garden in Herefordshire that we visited as part of the ‘Gardens in the Wild’ festival in June.  The RHS link will take you to a foxglove that looks very different- no way to explain this, but the chap at Thruxton Rectory was a very serious plantsman, so perhaps he has found something unusual as a yellow form.  This lovely things is again half the size of your average foxglove, but with with more generous flowers than lutea. Very garden-worthy.

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Digitalis grandiflora, Bryan’s Ground, Shropshire, June 2017

A real giant, Digitalis grandiflora had taken a battering at Bryan’s Ground in Shropshire when we visited.  Quite a few of them were on the ground but this one was tall enough for me to look up it’s nose as it were.  A mellow yellow with red-brown speckling in the trumpets, which were generously sized with more to open up the stem.   Also, in Shropshire, I absolutely fell in love with Linaria vulgaris which had merrily self-seeded in the planting outside the Ludlow Food Centre.  It sort of counts as it was once included in the Scrophulariaceae family, and there are similarities in the flower shape.   Also called Butter and Eggs, good name, this is a great wildflower for bumblebees and many other pollinators, and, frankly, it is quite gorgeous- so I have sent for seed.

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Linaria vulgaris, Ludlow, Shropshire, June 2017

Slim, erect at about 0.3m, and completely at home amongst a clump of Stipa tennuisisma, the Linaria had sprinkled itself among the planting delightfully.

I grew Isoplexis canariensis from seed about six years ago, it is a Canary Island foxglove and pretty rare apparently in cultivation.  Of course, it was the fiery orange colouring that drew me to it, and the amazing fact that these absolutely minute seedlings would ever turn into anything so big and gorgeous.  I have them in a big deep pot as they seem to like quite moist conditions, and I overwinter them in our covered barn.  But, this year, they have really not liked our boomerang summer, from 11C to 37C in a matter of days last week for example, and so the flowering has been sporadic and sparse this year.  It may be that the plants are becoming too woody, and I have to start again, but for the moment, I will put it all down to this weird summer.  The plant grows to about 1.3 metres in height and has normally glossy deep green foliage- this year it looks far less happy.  But, as you can see from 2016, when in full throttle, it is a gorgeous thing.

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Isoplexis canariensis, Tostat, August 2016

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Isoplexis canariensis detail, Tostat, June 2017